! Alert

Power has been restored after an unexpected outage on Friday, July 26. Governors Island is open as usual, with ferries running from Manhattan and Brooklyn all weekend. Click here for more information.

Power has been restored after an unexpected outage on Friday, July 26. Governors Island is open as usual, with ferries running from Manhattan and Brooklyn all weekend. Click here for more information.

Film at Lin­coln Cen­ter & Gov­er­nors Island Arts Announce Free Out­door Films for 2023 Season

...

Film at Lin­coln Cen­ter, and Gov­er­nors Island Arts announce a pro­gram of free out­door film screen­ings for sum­mer 2023, open­ing a three-film series on June 9.

From June through August, Gov­er­nors Island Arts and Film at Lin­coln Cen­ter presents Rule-Break­ers and Trou­ble­mak­ers,” a line­up of free out­door movie screen­ings for the 2023 sea­son. This year’s out­door film series will take place on the Island’s his­toric Parade Ground, an eight-acre lawn with expan­sive open views of Low­er Man­hat­tan. The series will be pro­duced by Rooftop Films.

This year’s Governor’s Island screen­ings will fea­ture a selec­tion of films that cel­e­brate relat­able, resilient pro­tag­o­nists who refuse to accept the con­straints that soci­ety has imposed on them. Films in this year’s line­up are F. Gary Gray’s Set It Off; Steven Soderbergh’s Out of Sight, and Gurinder Chadha’s Bend It Like Beck­ham.

Orga­nized by Made­line Whittle.

FILMS & DESCRIPTIONS

Rule-Break­ers and Troublemakers”

Set It Off

F. Gary Gray, 1996, USA124m

For­mer bank teller Frankie (Vive­ca A. Fox) is strug­gling to make ends meet, work­ing a low-pay­ing job as a jan­i­tor along­side close friends Cleo (Queen Lat­i­fah), Stony (Jada Pin­kett Smith), and T.T. (Kim­ber­ly Elise) in mid-’90s Los Ange­les. When the four women, angered and demor­al­ized by the sta­tus quo of relent­less injus­tice that cur­tails and under­mines their aspi­ra­tions, set about sys­tem­at­i­cal­ly rob­bing banks around the city, com­pli­ca­tions soon arise in the dis­parate forms of their tyran­ni­cal boss (Thomas Jef­fer­son Byrd), an unsym­pa­thet­ic LAPD detec­tive (John C. McGin­ley), and a bud­ding romance between Stony and a charm­ing bank man­ag­er (Blair Under­wood). Direc­tor F. Gary Gray infus­es the heist genre with brac­ing emo­tion­al clar­i­ty, sen­si­tive­ly yet unsen­ti­men­tal­ly dra­ma­tiz­ing the chal­lenges faced by work­ing-class women of col­or who are forced to nav­i­gate an unac­cept­ably inhos­pitable socioe­co­nom­ic reality.

Fri­day, June 9 at 8:30pm

Out of Sight

Steven Soder­bergh, 1998, USA123m

Razor-sharp wit and expert­ly deployed star wattage — not to men­tion crack­ling sex­u­al chem­istry between the two leads — were in abun­dant sup­ply when Steven Soder­bergh burst into the main­stream, direct­ing Scott Frank’s ultra-cool adap­ta­tion of Elmore Leonard’s 1996 nov­el. George Clooney is Jack Foley, a career bank rob­ber on the run after break­ing out of a Flori­da pen­i­ten­tiary; Jen­nifer Lopez is U.S. Mar­shal Karen Sis­co, the no-non­sense law enforce­ment offi­cer who’s deter­mined to put Foley back behind bars. Along­side a stacked sup­port­ing cast that also includes Ving Rhames, Don Chea­dle, Albert Brooks, and Vio­la Davis in one of her ear­li­est film roles, Clooney and Lopez bring humor and heat to a sin­gu­lar­ly sexy game of cat-and-mouse as Foley makes his way to Detroit in pur­suit of a rumored stash of dia­monds, with Sis­co in hot pur­suit. Edit­ed with wry pre­ci­sion by the leg­endary Anne V. Coates, Soderbergh’s sev­enth fea­ture is a mas­ter class in smart, ensem­ble-dri­ven genre film­mak­ing, and remains a relent­less­ly enter­tain­ing crowd-pleas­er 25 years after its release.

Fri­day, July 7 at 8:30pm

Bend It Like Beckham

Gurinder Chad­ha, 2002, U.K./Germany/USA, 112m

Eng­lish, Pun­jabi, Hin­di, and Ger­man with Eng­lish subtitles

British Indi­an direc­tor Gurinder Chadha’s third fea­ture tells the sto­ry of teenag­er Jess Bham­ra (Par­min­der Nagra in a win­ning break­out per­for­mance), an avid soc­cer fan, dreams of liv­ing up to the exam­ple of her idol, star play­er David Beck­ham, against the wish­es of her cul­tur­al­ly con­ser­v­a­tive Pun­jabi elders. When new friend Jules (Keira Knight­ley) per­suades her to join the local women’s team with­out her par­ents’ knowl­edge, Jess quick­ly wins the accep­tance and respect of her team­mates and their coach (Jonathan Rhys Mey­ers), but must strug­gle to rec­on­cile her pas­sion for the game with her family’s expec­ta­tions. In the 21 years since its U.K. release, Chadha’s film — which remains the high­est-gross­ing soc­cer film of all time, and boasts scene-steal­ing sup­port­ing per­for­mances by Anu­pam Kher, Archie Pun­jabi, and Juli­et Steven­son — has con­tin­ued to be hailed as a lat­ter-day clas­sic of its inter­sect­ing gen­res, simul­ta­ne­ous­ly excelling as crowd-pleas­ing sports movie, win­ning roman­tic com­e­dy, and heart­felt cross-cul­tur­al com­ing-of-age fable.

Fri­day, August 11 at 8:30pm

GOV­ER­NORS ISLAND ARTS

Gov­er­nors Island Arts, the pub­lic arts and cul­tur­al pro­gram pre­sent­ed by the Trust for Gov­er­nors Island, cre­ates trans­for­ma­tive encoun­ters with art for all New York­ers, invit­ing artists and researchers to engage with the issues of our time in the con­text of the Island’s lay­ered his­to­ries, envi­ron­ments, and archi­tec­ture. Gov­er­nors Island Arts achieves this mis­sion through tem­po­rary and long-term pub­lic art com­mis­sions, an annu­al Orga­ni­za­tion in Res­i­dence pro­gram in the Island’s his­toric hous­es, and free pub­lic pro­grams and events in part­ner­ship with a wide range of cross-dis­ci­pli­nary NYC cul­tur­al orga­ni­za­tions. For more infor­ma­tion, vis­it www​.gov​is​land​.org/​g​iarts.

FILM AT LIN­COLN CENTER

Film at Lin­coln Cen­ter is ded­i­cat­ed to sup­port­ing the art and ele­vat­ing the craft of cin­e­ma and enrich­ing film culture.

Film at Lin­coln Cen­ter ful­fills its mis­sion through the pro­gram­ming of fes­ti­vals, series, ret­ro­spec­tives, and new releas­es; the pub­li­ca­tion of Film Com­ment; and the pre­sen­ta­tion of pod­casts, talks, spe­cial events, and artist ini­tia­tives. Since its found­ing in 1969, this non­prof­it orga­ni­za­tion has brought the cel­e­bra­tion of Amer­i­can and inter­na­tion­al film to the world-renowned Lin­coln Cen­ter arts com­plex, mak­ing the dis­cus­sion and appre­ci­a­tion of cin­e­ma acces­si­ble to a broad audi­ence and ensur­ing that it remains an essen­tial art form for years to come.

Film at Lin­coln Cen­ter receives gen­er­ous, year-round sup­port from the Nation­al Endow­ment for the Arts and the New York State Coun­cil on the Arts with the sup­port of the Office of the Gov­er­nor and the New York State Leg­is­la­ture. For more infor­ma­tion, vis­it www​.film​linc​.org and fol­low @filmlinc on Twit­ter and Insta­gram.